Mindscapes Tokyo was a platform for exploring mental health through multiple viewpoints and local cultural contexts. It engaged a diverse group of people with the primary goal of deepening participants’ understandings of mental health and its relevance to everyone. It also explored how arts and culture can address mental health and wellbeing by fostering fruitful exchanges through arts programming rooted in daily lives. Organised by InVisible with the Mori Art Museum, Mindscapes Tokyo was led by artistic director KIKUCHI Hiroko alongside NOBORI Kukiko, Mindscapes’ cultural lead in Tokyo. It featured a range of projects, including convenings, participatory workshops with artists and youth, exhibitions, lectures, and public programs in partnership with various organisations. The project culminated in Mindscapes Tokyo Week in February 2023, which showcased outcomes achieved and offered opportunities for further conversations and learnings. inVisible is a non-profit organisation that develops art and creative placemaking projects in Japan.
2020–2023
During her Mindscapes Tokyo residency, IIYAMA Yuki worked on the theme of domestic violence and made an installation based on her research focusing on different voices of victims, proprietors and grassroots supporters. Her installation was presented at the group exhibition “Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic,” held at Mori Art Museum from 29 June till 6 November 2022.
Iiyama is interested in societal and individual influences and relationships. Her works have been developed from the research about psychiatry and the family, and the history of psychiatry in Japan.
IIYAMA Yuki: Shapes of Shadows: Imagined Empathy, 4K 2 channel video sound 96 min, 2022. Courtesy: Wellcome Trust, London; WAITINGROOM, TOKYO
IIYAMA Yuki: Shapes of Shadows: the Power and Control that Occurs between Intimate Partnerships, Installation view, Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, Mori Art Museum, Tokyo, 2022. Photo: Koroda Takeru, Courtesy: Mori Art Museum, WAITINGROOM, Tokyo
IIYAMA Yuki: Shapes of Shadows: the Power and Control that Occurs between Intimate Partnerships, Installation view, Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, Mori Art Museum, Tokyo, 2022. Photo: KANAGAWA Shingo, Courtesy: Wellcome Trust, London; WAITINGROOM, Tokyo
IIYAMA Yuki: Shapes of Shadows: the Power and Control that Occurs between Intimate Partnerships, Installation view, Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, Mori Art Museum, Tokyo, 2022. Photo: KANAGAWA Shingo, Courtesy: Wellcome Trust, London; WAITINGROOM, Tokyo
IIYAMA Yuki: Eating the Patriarchy, 4K sound 13min07sec, 2022. Photo: KANAGAWA Shingo, Courtesy: Wellcome Trust, London; WAITINGROOM, TOKYO
29 June – 6 November 2022, Mori Art Museum
Listen to the Sound of the Earth Turning explored ways to live a new life as the pandemic persisted, and the nature of “wellbeing” that is the holistic health of both body and mind, from multiple perspectives found in contemporary art. Works on subjects with a connection to life and existence — nature and humans, the individual and society, family, the repetitious nature of daily living, the spiritual world, life and death — encouraged visitors to consider what it means to “live well.”
Photo: Koroda Takeru. Photo courtesy: Mori Art Museum, Tokyo
8 July 2022, Mori Art Museum
InVisible hosted the first Convening on the 8th of July, featuring in-person lectures, workshops, and discussions delved from IIYAMA Yuki's installation work, “Shapes of Shadows: Imagined Empathy,” as part of the Mori Art Museum exhibition. The work explored mental health in the context of domestic violence and controlling relationships during the pandemic. Building on this artwork and the exhibition’s focus on “our well-being after the pandemic” as a starting point, our session delved into the potential role of museums and art projects as mental health clinics.
Convening was a series of four sessions held in Tokyo and Fukushima, designed as a dialogue-centered gathering aiming to explore the concept of “mental health” in Japan from diverse perspectives. The overarching question that guided these discussions was: “Could museums and art projects function as mental health clinics?” Through this exploration, the project sought to reevaluate the meaning of “mental health” within the Japanese context, providing participants with an opportunity to reclaim ownership by reassessing its significance.
Participants:
CHEN Dominique (Associate Professor, School of Letters, Arts and Sciences, Waseda University), HAYASHI Takatsune (Architect, Carpenter), IIYAMA Yuki (Mindscapes AIR artist), KATAOKA Mami (Director, Mori Art Museum), KARAKAWA Mayuko (High School student), KIKUCHI Ayako (Psychiatric social worker), LEE Yubin (College student), OTANI Koji (Lawyer/J.D., Certified Public Tax Accountant), SAITO Tamiko (Assistant Manager, Facilities Operations Group, Mori Art Museum), SHINOHARA Fumio (Nurse, JSPS Research Fellow), TOGASHI Taki (Cultural Producer), TOKUYAMA Hirokazu (Associate Curator, Mori Art Museum), TSUKADA Arina (Editor, Curator), UENO Senzo (Filmmaker), YOSHIOKA Yumi (Psychological Counselor), YOSHIHARA Tae (Art Manager and Director), yoyo. (Cook).
OKADA Masumi, KUMAKURA Haruko, SHIRAKI Eise, (Mori Art Museum)
NOBORI Kukiko (Mindscapes Curatorial Research Fellow)
ARAO Masami, ISOGAYA Kayoko, KIKUCHI Hiroko, HAYASHI Akio, SUGIYAMA Yuka (inVisible Tokyo)
Organiser: NPO inVisible
Planning Cooperation: Mori Art Museum
We asked all the participants to share the first word that comes to mind when they hear “mental health”.
Photo: TOMITA Ryohei
IIYAMA Yuki shared her Zattkan (miscellaneous thoughts and impressions) on “Mental Health X Art”.
Photo: TOMITA Ryohei
Participants shared their “miscellaneous thoughts” of the day by posting them on the wall for sharing.
Photo: TOMITA Ryohei
Discussion in groups on what is needed in an art museum as a “mental health clinic” and by and for whom.
Photo: TOMITA Ryohei
Individual thoughts are recorded on a whiteboard through group discussion.
Photo: TOMITA Ryohei
3-4 September 2022, Tomioka, Fukushima Prefecture
In the second Convening, we embarked on a transformative journey focusing on resilience in the face of disasters and societal changes. Our attention turned to Tomioka located in Fukushima prefecture and neighbouring towns deeply affected by the Fukushima Daiichi Nuclear Power Plant accident and the Great East Japan Earthquake. Through an immersive two-day, one-night visit, we connected with local community members, gaining profound insights into their resilience and bearing witness to their remarkable recovery efforts. Our discussions and shared experiences shed light on effective strategies for restoring mental health and fostering stability amidst ongoing changes. Drawing inspiration from the stories that were shared, we collectively explored ways to navigate uncertainties and cultivate wellbeing in the face of adversity.
Convening was a series of four sessions held in Tokyo and Fukushima, designed as a dialogue-centered gathering aiming to explore the concept of “mental health” in Japan from diverse perspectives. The overarching question that guided these discussions was: “Could museums and art projects function as mental health clinics?” Through this exploration, the project sought to reevaluate the meaning of “mental health” within the Japanese context, providing participants with an opportunity to reclaim ownership by reassessing its significance.
Participants:
CHEN Dominique (Associate Professor, School of Letters, Arts and Sciences, Waseda University), HAYASHI Takatsune (Architect, Carpenter), IIYAMA Yuki (Mindscapes AIR artist), KARAKAWA Mayuko (High School student), KIKUCHI Ayako (Psychiatric social worker), LEE Yubin (College student), OTANI Koji (Lawyer/J.D., Certified Public Tax Accountant), SHINOHARA Fumio (Nurse, JSPS Research Fellow), TOGASHI Taki (Cultural Producer), UENO Senzo (Filmmaker), YOSHIOKA Yumi (Psychological Counselor), YOSHIHARA Tae (Art Manager and Director), yoyo. (Cook).
OKADA Masumi, KUMAKURA Haruko, SHIRAKI Eise, (Mori Art Museum)
NOBORI Kukiko (Mindscapes Curatorial Research
ARAO Masami, KIKUCHI Hiroko, HAYASHI Akio (inVisible)
Organiser: NPO inVisible
Planning Cooperation: Mori Art Museum
Classroom preserved as it was, showcasing the tsunami damage, at Ukedo Elementary School, remains of the earthquake disaster in Namie Town.
Photo: TOMITA Ryohei
Participants on an expedition walking along the Hamakaido Road, overlooking Fukushima Daini Nuclear Power Plant.
Photo: TOMITA Ryohei
Experiencing a soundscape during a performance tour of the Tomioka area led by a performance unit “humunus”, inspired by the story of local sculptor IDE Norio, who lived near Onahama Beach. Photo: TOMITA Ryohei
One page from the miscellaneous thoughts notebook, filled with reflections written by participants, expressing their individual feelings.
Listening to the lived experience shared by AKIMOTO Nanami, who experienced the disaster at the age of 13.
Photo: TOMITA Ryohei
Sharing reflections and miscellaneous thoughts on the tour while on the bus ride back to Tokyo.
Photo: TOMITA Ryohei
18-19 February 2023, YAU STUDIO
Building upon the previous three sessions, we held the final Convening on the 18th and 19th of February, 2023. Its objective was to address the question, “Can museums and art projects become mental health clinics?” During this session, we conducted a workshop to imagine and develop six concrete concepts for what it would look like if we were to build a mental health clinic from arts and cultural perspectives, aiming to transition into a more tangible next phase of our journey.
Convening was a series of four sessions held in Tokyo and Fukushima, designed as a dialogue-centered gathering aiming to explore the concept of “mental health” in Japan from diverse perspectives. The overarching question that guided these discussions was: “Could museums and art projects function as mental health clinics?” Through this exploration, the project sought to reevaluate the meaning of “mental health” within the Japanese context, providing participants with an opportunity to reclaim ownership by reassessing its significance.
Participants:
CHEN Dominique (Associate Professor, School of Letters, Arts and Sciences, Waseda University), HAR Jooun (Graduate student), HAYASHI Takatsune (Architect, Carpenter), IIYAMA Yuki (Mindscapes AIR artist), ITO Misaki (High school student), KARAKAWA Emiko (Art Coordinator, Hotch no Lodge), KARAKAWA Mayuko (High school student), KIKUCHI Ayako (Psychiatric social worker), KIYOTA Yui (High school student), KUBOYA Himari (High school student), KUNITA Aoi (High school student), LEE Yubin (College student), MI ShuZhen (College student), OTANI Koji (Lawyer/J.D., Certified Public Tax Accountant), SHINOHARA Fumio (Nurse, JSPS Research Fellow), TOGASHI Taki (Cultural Producer), UENO Senzo (Filmmaker), YOSHIOKA Yumi (Psychological Counselor), YOSHIHARA Tae (Art Manager and Director), yoyo. (Cook).
OKADA Masumi, KUMAKURA Haruko, SHIRAKI Eise (Mori Art Museum)
NOBORI Kukiko (Mindscapes Curatorial Research Fellow)
ARAO Masami, ISOGAYA Kayoko, KIKUCHI Hiroko, HAYASHI Akio (inVisible)
Organiser: NPO inVisible
Planning Cooperation: Mori Art Museum
Brainstorming to create an idea that combines the concepts of bitterness and the joy of playing in a sandbox, suggesting a mental health clinic.
Photo: TOMITA Ryohei
An idea of “Memory Forest”, that is a digital map of a collection of stories, painting a vivid portrait of the coastal area of Fukushima.
Photo: TOMITA Ryohei
A view of a sharing session on the 1st day of Convening #3. Photo: NPO inVisible
An idea map shared for “LIVING MUSEUM CITY”. Photo: TOMITA Ryohei
Inspired by their personal experiences of sleeplessness and anxiety, a team of passionate youths sketched out the concept of a “Convenience Museum” that only opens late at night. Photo: TOMITA Ryohei
Brainstorming ideas to harness the potential of Japanese bathhouses. Photo: TOMITA Ryohei
Youth participants consolidating and sharing their thoughts. Photo: TOMITA Ryohei
Wrap up! A final group photo of Convening #3 participants. Photo: TOMITA Ryohei
What kind of place would you imagine as a “place that handles the heart”? Inspired by the shortage of places and time in Japanese cities to address one’s mental health, the food team, led by the lead Investigator yoyo* and six youth investigators, developed “Misoshiru Temae” — a ceremony of preparing the mind. The ceremony consisted of preparing Miso soup together. Each ceremony was captured in a form of video instructions created with the unique perspectives of the youth investigators, and offered opportunities to confront the self and reclaim lost time in fast-paced cities.
The Urban Investigation Project was a co-creative and experimental art initiative that explored mental health in urban areas, specifically in Tokyo. Placing emphasis on the process itself, the project integrated understanding and insights into each endeavor, fostering continuous learning and meaningful communication. Through the creation of “artwork proposals”, the project offered innovative solutions, thought-provoking tools, and actionable perspectives, serving as a catalyst for unique approaches and dialogue on urban mental health. Selected findings and outcomes were showcased in an open studio format during MINDSCAPES TOKYO WEEK in February 2023, providing an opportunity for public engagement and discussion.
The Food Team Members:
HIROSAKI Moe, KUNITA Aoi, KUBOYA Himari, TOKISUE Reika, MI ShuZhen, NAKAI Yuuna, yoyo.
*yoyo, a cook originally from Tokyo and currently based in Niigata City, uses cooking to create a world where everyone can live a rich life regardless of their circumstances.
A plate of Miso balls, prepared for the ceremony. Photo: NISHINO Masanobu
Filming an instructional video for “Misoshiru Temae”. Photo: NISHINO Masanobu
The process of shaping rice balls used for the miso soup ceremony. Photo: NISHINO Masanobu
Youth members engaged in preparation of the miso soup ritual. Photo: NISHINO Masanobu
A snapshot of the Lead Investigator yoyo. serving a bowl of miso soup. Photo: NISHINO Masanobu
Youth participants during fieldwork, selecting ingredients for miso soup and exploring flavours that align with the theme. Photo: NISHINO Masanobu
Performing “Misoshiru Temae” during the Mindscapes Tokyo Week. Photo: NPO inVisible
An installation view created for the Mindscapes Tokyo Week. Photo: NISHINO Masanobu
June 2022–March 2023, Tokyo Garage
Due to various factors like lifestyle habits and daily stress, a person’s unique environment plays a crucial role in ensuring they feel a sense of ease and the ability to sleep. With this in mind, lead investigator HAYASHI Takatsune (architect/carpenter) with a team of eight young people assembled for the Urban Investigation Project embarked on a series of experimental investigations and fieldwork to explore the concept of the “ultimate sleeping place.” Their endeavors involved mindful walks through the streets of Tokyo, engaging dialogues, and visits to a long-established bedding store and a disaster prevention center. The outcomes of their research took various forms, including the publication of a book titled “Theory of the Ultimate Sleeping Place”, a virtual reality world tour crafted using individually hand-made maquettes, and the creation of a cradle-like ultimate sleeping bed that incorporates the ideas and research findings of all participants.
The Urban Investigation Project was a co-creative and experimental art initiative that explored mental health in urban areas, specifically in Tokyo. Placing emphasis on the process itself, the project integrated understanding and insights into each endeavor, fostering continuous learning and meaningful communication. Through the creation of “artwork proposals”, the project offered innovative solutions, thought-provoking tools, and actionable perspectives, serving as a catalyst for unique approaches and dialogue on urban mental health. Selected findings and outcomes were showcased in an open studio format during MINDSCAPES TOKYO WEEK in February 2023, providing an opportunity for public engagement and discussion.
The Japanese Architecture Team Members:
HAYASHI Takatsune, ITO Misaki, LEE Yubin, KAMISATO Mahiro, KIYOTA Yui, KUDO Eika, SHIBATA Sora, YOKOMI Kenichi, Rain
HAYASHI Takatsune, an architect and carpenter, with over 20 years of experience, preserves Japanese wooden architecture and engages in community development, workshops, and art and digital architecture projects nationwide.
Meeting with the members at Tokyo Garage for the first time. Sharing what each of us needs for a good night’s sleep. Photo: NISHINO Masanobu
Two-day fieldwork including visiting the architectural model exhibition. Photo: NISHINO Masanobu
A sleeping arrangement made out of cardboard for use in evacuation shelters, visiting at the Tokyo Rinkai Disaster Prevention Park. Photo: NPO inVisible
One of the maquettes created by a young investigator, inspired by the memories of her grandmother’s nature-surrounded house. Photo: NISHINO Masanobu
The investigators assembling the artwork “Ultimate Sleeping Place” crafted using traditional timber framing techniques. Photo: NPO inVisible
The publication titled “Theory of the Ultimate Sleeping Place”, a compilation of individual perspectives on the theme. Photo: NISHINO Masanobu
Youth developed a VR tour explaining how to navigate the experience. Photo: NISHINO Masanobu
“The Ultimate Sleeping Place Map” specially designed to accompany the VR tour. Photo: NISHINO Masanobu
Relaxing on the ultimate sleeping place crafted with traditional Japanese architectural woodworking techniques known as Kigumi. Photo: NPO inVisible
A detailed shot of Kigumi bed. Photo: NISHINO Masanobu
An installation view of the open studio area for the Japanese Architecture team at the Mindscapes Tokyo Week.
Photo: NISHINO Masanobu
inVisible collaborated with SHIONO KORYO KAISHA, LTD. and KITCHIBE CO., LTD. to organise workshops dedicated to the exploration and creation of the perfect scent for sleep environments. These workshops were an integral part of the Urban Investigation team’s efforts to delve into the concept of the ultimate “sleep place” from a Japanese architectural perspective. During the Mindscapes Tokyo Week, the culmination of the team’s year-long efforts, they set up an interactive survey booth. Visitors had the unique opportunity to actively engage in the selection process for the ultimate fragrance.
Sniffing and discerning various scents, narrowing down to the preferred ones. Photo: NISHINO Masanobu
While expressing the impression of the aroma in words, searching for scents, suitable for the ultimate sleeping environment. Photo: NPO inVisible
A first of a series of workshops led by Mr. TADA from the scent company. The workshop progresses as each person shares their impressions and thoughts. Photo: NISHINO Masanobu
An installation view of “Scent Type B” from a variety of scents after narrowing down to three options. Photo: NISHINO Masanobu
The sight of voting with stickers for the most sleep-inducing scent for oneself. Photo: NPO inVisible
Engaging and vibrant conversations sparked through the exhibit including a scent selection booth.
Photo: NISHINO Masanobu
A Film Team, assembled for the Urban Investigation Project, led by Senzo Ueno (cinematographer/filmmaker) alongside five youths, embarked on a project to explore the meaning of a “normal person”. Through in-depth investigation and conversations, they established a guiding principle for their work: to film interview footage with a sense of closeness, maintaining eye contact, and fostering empathy. Following this idea, young people filmed their significant others in intimate two-person settings, close enough to touch. Through the sincere gaze of these teenagers, a multitude of perspectives on “being normal” emerged, prompting profound questions and shedding new light on the societal constructs that influence our perception of what is considered “normal”.
The Urban Investigation Project was a co-creative and experimental art initiative that explored mental health in urban areas, specifically in Tokyo. Placing emphasis on the process itself, the project integrated understanding and insights into each endeavor, fostering continuous learning and meaningful communication. Through the creation of “artwork proposals”, the project offered innovative solutions, thought-provoking tools, and actionable perspectives, serving as a catalyst for unique approaches and dialogue on urban mental health. Selected findings and outcomes were showcased in an open studio format during MINDSCAPES TOKYO WEEK in February 2023, providing an opportunity for public engagement and discussion.
Film team:
ARAI Yuto, IWAI Rin, KOHAZAME Miku, ONISHI Mitsuki, TAMATANI Sora, UCHIYAMA Haruka, UENO Senzo
UENO Senzo, a cinematographer/filmmaker, creates films, advertisements, and music videos. He produces documentaries exploring nature, social issues, and presents installations at art festivals.
First meeting. Participants engaging in casual discussion and exchanging opinions about what is normal. Photo: NISHINO Masanobu
UENO Senzo, the Lead Investigator, giving a talk about the theme. Photo: NISHINO Masanobu
Starting off the day with an ice breaking exercise to take a closeup photo of each other. Photo: NISHINO Masanobu
Practicing photography skills by capturing each other with a professional camera. Photo: NISHINO Masanobu
Receiving guidance from the lead investigator as participants prepare for individual interview. Photo: NPO inVisible
An Installation view at the Mindscapes Tokyo Week. Photo: NISHINO Masanobu
This event was made possible with the generous support of Yurakucho Art Urbanism.
Youth committee members providing personalised tours during MTW, showcasing an installation view created by the Urban Investigation Project's food team, featuring their original “Misoshiru Temae” performance. Photo: NISHINO Masanobu
Watching an instructional video for “Misoshiru Temae”. Photo: NISHINO Masanobu
An installation view of one of the Urban Investigation Projects, executed by the Japanese Architecture team, exploring the concept of the ultimate sleeping place. Photo: NISHINO Masanobu
An installation view of one of the Urban Investigation Projects, executed by the Urban Investigation Project’s Film team, delving into the concept of “being normal”. Photo: NISHINO Masanobu
People enjoying conversations and socialising at the “Community Table” area during the introduction of Mindscapes Tokyo partners. Photo: NISHINO Masanobu
KIKUCHI Hiroko who oversaw Mindscapes Tokyo, acknowledging partners during the MTW Opening Ceremony. Photo: NISHINO Masanobu
A youth deep in contemplation at “Room Zattkan”. Photo: NISHINO Masanobu
YAU’s entrance area, formerly the office of Singapore Airlines, retains traces of its history. Photo: NISHINO Masanobu
Room Zattkan was an interactive project where visitors to the Mindscapes Tokyo Week took part in expressing their thoughts in response to the question: What is the first word or image that comes to your mind when you hear the words “Mental Health”? The term Zattkan (雑感) became a key element of Mindscapes Tokyo, representing a distinctive Japanese expression that fosters a culturally sensitive environment for open and uninhibited reflection. The collection of people’s Zattkan embraced diverse thoughts, feelings, and perceptions that coexisted without a clear structure or coherence. InVisible’s focus was to capture this wide range of personal and vulnerable responses related to the concept of mental health.
A close-up view, Room Zattkan. Photo: NISHINO Masanobu
A close-up view, Room Zattkan. Photo: NISHINO Masanobu
Room Zattkan sparked various conversations among the attending visitors. Photo: NISHINO Masanobu
A close-up view, Room Zattkan. Photo: NISHINO Masanobu
In cooperation with the Komine Institution, inVisible held a workshop focusing on the archive of a now-defunct mental hospital in Tokyo to indicate how the concept of mental health was historically and culturally constructed. After a short lecture about the archive, participants were encouraged to collaboratively work on the archival material to reconstruct the story of those who were diagnosed as “dementia praecox”, “psychosis” and other diagnoses used in the early 20th Century. The aim of this workshop was not to apply another contemporary disease name to those cases, but to imagine how those “patients” lived and experienced their lives.
Facilitators: SHIMIZU Fusako (Tokyo University), MIHARA Sayaka (Keio University), KANAGAWA Shingo (Photographer), HOGETSU Rie (Ochanomizu University), NOBORI Kukiko (JSPS).
This workshop was held within the framework of Mindscapes Tokyo Week.
Patient Condition Reports, circa 1930. Courtesy: the Komine Institution
Patient Condition Reports, circa 1930. Courtesy: the Komine Institution
Workshop: Archival Imagination. Photo: NOBORI Kukiko
Workshop: Archival Imagination. Photo: NOBORI Kukiko
Patient Condition Reports, 1935. Courtesy: the Komine Institution
with AOKI Akira
Saturday, 25 February 2023, YAU STUDIO
inVisible invited AOKI Akira, an independent curator, to give a lecture about “art and care” based on his research and own experiences. It covered a broad range of topics such as the Settlement movement, occupational therapy, phantom pain and artificial limbs, and an “urgent creativity”. Those topics were closely intertwined with each other. AOKI gave case studies to make it clear how they were related in terms of our “creativity”.
Situating art as a tool to live better lives, AOKI has been collaboratively developing various projects with artists, companies, local communities and governments.
This lecture was held within the framework of Mindscapes Tokyo Week in cooperation with Anthropology and Contemporaneous Art Study Group.
Lecture: Art and Care. Photo: NPO inVisible
Lecture: Art and Care. Photo: NPO inVisible
Artificial leg made by Aoki decorated with special fabric. Photo: AOKI Akira
Pigment with ashes painted on fabric. Photo: AOKI Akira
Exhibition, With people, Not For People, organised by Tokyo Metropolitan Government, Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture), Sumida River Sumi-Yume Art Project Executive Committee, Gate (General Incorporated Association). Photo: Hajime Kato
23 and 26 February 2023, YAU STUDIO
Y/U FES was a youth-led festival organised by the Mindscapes Tokyo Week (MTW) Youth Committee, comprising twelve young people from those who participated in the Urban Investigation Projects. Initially formed to support the operation of the MTW, the committee came up with the idea of holding a festival to express their ideas to engage young people and further address their mental health needs. The festival showcased a diverse array of programs, including “MTW Talkspace With Youth”, one-on-one consultations with youth, “Tsurezure Room” designed to empty one’s mind, and a “Memory Karuta” tournament with an original set of oversized traditional playing cards created from collective reflections of Mindscapes Tokyo, and many more.
MTW Youth Committee:
ITO Misaki, KARAKAWA Mayuko, KIYOTA Yui, KUBOYA Himari, KUNITA Aoi, LEE Yubin, MI ShuZhen, NAKAI Yuuna, NOMURA Yuna, Rain, SHIBATA Sora, TOKISUE Reika
The youth committee members gathered for a group photo to commemorate the event. Photo: NISHINO Masanobu
Decorating the counter for Y/U FES. Photo: NPO inVisible
Lively moments of excitement as people engaged in the “Memory Karuta” tournament. Photo: NISHINO Masanobu
Enabling the youth from remote locations to be part of MTW, the youth members developed the idea to manage visitor registration remotely through an online platform. Photo: NISHINO Masanobu
Anthea Longo from Wellcome helped translate the explanation of the Y/U FES programs in English. Photo: NISHINO Masanobu
The scene of daily retrospective meetings held to review the event operations. Photo: NISHINO Masanobu
KUNITA Aoi, the originator of the idea for “MTW Talkspace With Youth”, conducting a one-on-one consultation session with an adult participant. Photo: NPO inVisible
Hotch No Lodge is a clinic/day care centre offering internal medicine, pediatrics, palliative outpatient care and home visit medical/nursing care services, day care services for the elderly and children with special medical needs, and childcare services for sick children. As Hotch No Lodge has been interested in developing more effective Advance Care Planning (ACP), artist Christine Wong Yap prepared her workshops, with a clinic’s art coordinator Emiko Karakawa, that could resonate with ACP in the broad perspective. Five workshops were held during her residency at various places in the town such as cafes, an after-school activity class, and the clinic itself. Wong Yap prepared worksheets for participants to visualise their best possible life in ten years. Participants also enjoyed drawing spark joy cards filled with tips and ideas to make our everyday lives full of joy.
Workshop at the Terrace Sakuma, Karuizawa. Photo: NOBORI Kukiko
Workshop at Cafe Dacha, Karuizawa. Photo: NOBORI Kukiko
Workshop at Hotch No Lodge. Photo: NOBORI Kukiko
inVisible decided to create their own logo to symbolise the local activities reflecting the goals of Mindscapes. As a result, they worked with graphic designer TANAKA Seri. The kanji character “人” in Japanese is derived from the shape of a person viewed from the side while standing. The "M" in the logo of Mindscapes depicts two “people” leaning against each other. Mental health constantly changes and is shaped through connection between individuals. At the same time, this logo symbolises the idea that mental health is both difficult to maintain “standing alone” and requires us to support and lean on one another.
TANAKA Seri is a Tokyo-based graphic designer, working on branding, visual identity, advertising, and package design. She designed the logos for SENKIN, a sake brewery, and Ao-Hata Bookstore, as well as the poster design for an exhibition at the Mori Art Museum. She also published individual works.
The Logo design process. Photo: TANAKA Seri
Graphic Designer TANAKA joined to set up the signs for Mindscapes Tokyo Week. Photo: NPO inVisible
Customisable staff badges for the MTW with personalisation option. Photo: NISHINO Masanobu
Entrance area with posters displayed for the MTW. Photo: NISHINO Masanobu
Mindscapes Tokyo was a platform for exploring mental health through multiple viewpoints and local cultural contexts. It engaged a diverse group of people with the primary goal of deepening participants’ understandings of mental health and its relevance to everyone. It also explored how arts and culture can address mental health and wellbeing by fostering fruitful exchanges through arts programming rooted in daily lives. Organised by InVisible with the Mori Art Museum, Mindscapes Tokyo was led by artistic director KIKUCHI Hiroko alongside NOBORI Kukiko, Mindscapes’ cultural lead in Tokyo. It featured a range of projects, including convenings, participatory workshops with artists and youth, exhibitions, lectures, and public programs in partnership with various organisations. The project culminated in Mindscapes Tokyo Week in February 2023, which showcased outcomes achieved and offered opportunities for further conversations and learnings. inVisible is a non-profit organisation that develops art and creative placemaking projects in Japan.
2020–2023
During her Mindscapes Tokyo residency, IIYAMA Yuki worked on the theme of domestic violence and made an installation based on her research focusing on different voices of victims, proprietors and grassroots supporters. Her installation was presented at the group exhibition “Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic,” held at Mori Art Museum from 29 June till 6 November 2022.
Iiyama is interested in societal and individual influences and relationships. Her works have been developed from the research about psychiatry and the family, and the history of psychiatry in Japan.
IIYAMA Yuki: Shapes of Shadows: Imagined Empathy, 4K 2 channel video sound 96 min, 2022. Courtesy: Wellcome Trust, London; WAITINGROOM, TOKYO
IIYAMA Yuki: Shapes of Shadows: the Power and Control that Occurs between Intimate Partnerships, Installation view, Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, Mori Art Museum, Tokyo, 2022. Photo: Koroda Takeru, Courtesy: Mori Art Museum, WAITINGROOM, Tokyo
IIYAMA Yuki: Shapes of Shadows: the Power and Control that Occurs between Intimate Partnerships, Installation view, Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, Mori Art Museum, Tokyo, 2022. Photo: KANAGAWA Shingo, Courtesy: Wellcome Trust, London; WAITINGROOM, Tokyo
IIYAMA Yuki: Shapes of Shadows: the Power and Control that Occurs between Intimate Partnerships, Installation view, Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, Mori Art Museum, Tokyo, 2022. Photo: KANAGAWA Shingo, Courtesy: Wellcome Trust, London; WAITINGROOM, Tokyo
IIYAMA Yuki: Eating the Patriarchy, 4K sound 13min07sec, 2022. Photo: KANAGAWA Shingo, Courtesy: Wellcome Trust, London; WAITINGROOM, TOKYO
29 June – 6 November 2022, Mori Art Museum
Listen to the Sound of the Earth Turning explored ways to live a new life as the pandemic persisted, and the nature of “wellbeing” that is the holistic health of both body and mind, from multiple perspectives found in contemporary art. Works on subjects with a connection to life and existence — nature and humans, the individual and society, family, the repetitious nature of daily living, the spiritual world, life and death — encouraged visitors to consider what it means to “live well.”
Photo: Koroda Takeru. Photo courtesy: Mori Art Museum, Tokyo
8 July 2022, Mori Art Museum
InVisible hosted the first Convening on the 8th of July, featuring in-person lectures, workshops, and discussions delved from IIYAMA Yuki's installation work, “Shapes of Shadows: Imagined Empathy,” as part of the Mori Art Museum exhibition. The work explored mental health in the context of domestic violence and controlling relationships during the pandemic. Building on this artwork and the exhibition’s focus on “our well-being after the pandemic” as a starting point, our session delved into the potential role of museums and art projects as mental health clinics.
Convening was a series of four sessions held in Tokyo and Fukushima, designed as a dialogue-centered gathering aiming to explore the concept of “mental health” in Japan from diverse perspectives. The overarching question that guided these discussions was: “Could museums and art projects function as mental health clinics?” Through this exploration, the project sought to reevaluate the meaning of “mental health” within the Japanese context, providing participants with an opportunity to reclaim ownership by reassessing its significance.
Participants:
CHEN Dominique (Associate Professor, School of Letters, Arts and Sciences, Waseda University), HAYASHI Takatsune (Architect, Carpenter), IIYAMA Yuki (Mindscapes AIR artist), KATAOKA Mami (Director, Mori Art Museum), KARAKAWA Mayuko (High School student), KIKUCHI Ayako (Psychiatric social worker), LEE Yubin (College student), OTANI Koji (Lawyer/J.D., Certified Public Tax Accountant), SAITO Tamiko (Assistant Manager, Facilities Operations Group, Mori Art Museum), SHINOHARA Fumio (Nurse, JSPS Research Fellow), TOGASHI Taki (Cultural Producer), TOKUYAMA Hirokazu (Associate Curator, Mori Art Museum), TSUKADA Arina (Editor, Curator), UENO Senzo (Filmmaker), YOSHIOKA Yumi (Psychological Counselor), YOSHIHARA Tae (Art Manager and Director), yoyo. (Cook).
OKADA Masumi, KUMAKURA Haruko, SHIRAKI Eise, (Mori Art Museum)
NOBORI Kukiko (Mindscapes Curatorial Research Fellow)
ARAO Masami, ISOGAYA Kayoko, KIKUCHI Hiroko, HAYASHI Akio, SUGIYAMA Yuka (inVisible Tokyo)
Organiser: NPO inVisible
Planning Cooperation: Mori Art Museum
We asked all the participants to share the first word that comes to mind when they hear “mental health”.
Photo: TOMITA Ryohei
IIYAMA Yuki shared her Zattkan (miscellaneous thoughts and impressions) on “Mental Health X Art”.
Photo: TOMITA Ryohei
Participants shared their “miscellaneous thoughts” of the day by posting them on the wall for sharing.
Photo: TOMITA Ryohei
Discussion in groups on what is needed in an art museum as a “mental health clinic” and by and for whom.
Photo: TOMITA Ryohei
Individual thoughts are recorded on a whiteboard through group discussion.
Photo: TOMITA Ryohei
3-4 September 2022, Tomioka, Fukushima Prefecture
In the second Convening, we embarked on a transformative journey focusing on resilience in the face of disasters and societal changes. Our attention turned to Tomioka located in Fukushima prefecture and neighbouring towns deeply affected by the Fukushima Daiichi Nuclear Power Plant accident and the Great East Japan Earthquake. Through an immersive two-day, one-night visit, we connected with local community members, gaining profound insights into their resilience and bearing witness to their remarkable recovery efforts. Our discussions and shared experiences shed light on effective strategies for restoring mental health and fostering stability amidst ongoing changes. Drawing inspiration from the stories that were shared, we collectively explored ways to navigate uncertainties and cultivate wellbeing in the face of adversity.
Convening was a series of four sessions held in Tokyo and Fukushima, designed as a dialogue-centered gathering aiming to explore the concept of “mental health” in Japan from diverse perspectives. The overarching question that guided these discussions was: “Could museums and art projects function as mental health clinics?” Through this exploration, the project sought to reevaluate the meaning of “mental health” within the Japanese context, providing participants with an opportunity to reclaim ownership by reassessing its significance.
Participants:
CHEN Dominique (Associate Professor, School of Letters, Arts and Sciences, Waseda University), HAYASHI Takatsune (Architect, Carpenter), IIYAMA Yuki (Mindscapes AIR artist), KARAKAWA Mayuko (High School student), KIKUCHI Ayako (Psychiatric social worker), LEE Yubin (College student), OTANI Koji (Lawyer/J.D., Certified Public Tax Accountant), SHINOHARA Fumio (Nurse, JSPS Research Fellow), TOGASHI Taki (Cultural Producer), UENO Senzo (Filmmaker), YOSHIOKA Yumi (Psychological Counselor), YOSHIHARA Tae (Art Manager and Director), yoyo. (Cook).
OKADA Masumi, KUMAKURA Haruko, SHIRAKI Eise, (Mori Art Museum)
NOBORI Kukiko (Mindscapes Curatorial Research
ARAO Masami, KIKUCHI Hiroko, HAYASHI Akio (inVisible)
Organiser: NPO inVisible
Planning Cooperation: Mori Art Museum
Classroom preserved as it was, showcasing the tsunami damage, at Ukedo Elementary School, remains of the earthquake disaster in Namie Town.
Photo: TOMITA Ryohei
Participants on an expedition walking along the Hamakaido Road, overlooking Fukushima Daini Nuclear Power Plant.
Photo: TOMITA Ryohei
Experiencing a soundscape during a performance tour of the Tomioka area led by a performance unit “humunus”, inspired by the story of local sculptor IDE Norio, who lived near Onahama Beach. Photo: TOMITA Ryohei
One page from the miscellaneous thoughts notebook, filled with reflections written by participants, expressing their individual feelings.
Listening to the lived experience shared by AKIMOTO Nanami, who experienced the disaster at the age of 13.
Photo: TOMITA Ryohei
Sharing reflections and miscellaneous thoughts on the tour while on the bus ride back to Tokyo.
Photo: TOMITA Ryohei
18-19 February 2023, YAU STUDIO
Building upon the previous three sessions, we held the final Convening on the 18th and 19th of February, 2023. Its objective was to address the question, “Can museums and art projects become mental health clinics?” During this session, we conducted a workshop to imagine and develop six concrete concepts for what it would look like if we were to build a mental health clinic from arts and cultural perspectives, aiming to transition into a more tangible next phase of our journey.
Convening was a series of four sessions held in Tokyo and Fukushima, designed as a dialogue-centered gathering aiming to explore the concept of “mental health” in Japan from diverse perspectives. The overarching question that guided these discussions was: “Could museums and art projects function as mental health clinics?” Through this exploration, the project sought to reevaluate the meaning of “mental health” within the Japanese context, providing participants with an opportunity to reclaim ownership by reassessing its significance.
Participants:
CHEN Dominique (Associate Professor, School of Letters, Arts and Sciences, Waseda University), HAR Jooun (Graduate student), HAYASHI Takatsune (Architect, Carpenter), IIYAMA Yuki (Mindscapes AIR artist), ITO Misaki (High school student), KARAKAWA Emiko (Art Coordinator, Hotch no Lodge), KARAKAWA Mayuko (High school student), KIKUCHI Ayako (Psychiatric social worker), KIYOTA Yui (High school student), KUBOYA Himari (High school student), KUNITA Aoi (High school student), LEE Yubin (College student), MI ShuZhen (College student), OTANI Koji (Lawyer/J.D., Certified Public Tax Accountant), SHINOHARA Fumio (Nurse, JSPS Research Fellow), TOGASHI Taki (Cultural Producer), UENO Senzo (Filmmaker), YOSHIOKA Yumi (Psychological Counselor), YOSHIHARA Tae (Art Manager and Director), yoyo. (Cook).
OKADA Masumi, KUMAKURA Haruko, SHIRAKI Eise (Mori Art Museum)
NOBORI Kukiko (Mindscapes Curatorial Research Fellow)
ARAO Masami, ISOGAYA Kayoko, KIKUCHI Hiroko, HAYASHI Akio (inVisible)
Organiser: NPO inVisible
Planning Cooperation: Mori Art Museum
Brainstorming to create an idea that combines the concepts of bitterness and the joy of playing in a sandbox, suggesting a mental health clinic.
Photo: TOMITA Ryohei
An idea of “Memory Forest”, that is a digital map of a collection of stories, painting a vivid portrait of the coastal area of Fukushima.
Photo: TOMITA Ryohei
A view of a sharing session on the 1st day of Convening #3. Photo: NPO inVisible
An idea map shared for “LIVING MUSEUM CITY”. Photo: TOMITA Ryohei
Inspired by their personal experiences of sleeplessness and anxiety, a team of passionate youths sketched out the concept of a “Convenience Museum” that only opens late at night. Photo: TOMITA Ryohei
Brainstorming ideas to harness the potential of Japanese bathhouses. Photo: TOMITA Ryohei
Youth participants consolidating and sharing their thoughts. Photo: TOMITA Ryohei
Wrap up! A final group photo of Convening #3 participants. Photo: TOMITA Ryohei
What kind of place would you imagine as a “place that handles the heart”? Inspired by the shortage of places and time in Japanese cities to address one’s mental health, the food team, led by the lead Investigator yoyo* and six youth investigators, developed “Misoshiru Temae” — a ceremony of preparing the mind. The ceremony consisted of preparing Miso soup together. Each ceremony was captured in a form of video instructions created with the unique perspectives of the youth investigators, and offered opportunities to confront the self and reclaim lost time in fast-paced cities.
The Urban Investigation Project was a co-creative and experimental art initiative that explored mental health in urban areas, specifically in Tokyo. Placing emphasis on the process itself, the project integrated understanding and insights into each endeavor, fostering continuous learning and meaningful communication. Through the creation of “artwork proposals”, the project offered innovative solutions, thought-provoking tools, and actionable perspectives, serving as a catalyst for unique approaches and dialogue on urban mental health. Selected findings and outcomes were showcased in an open studio format during MINDSCAPES TOKYO WEEK in February 2023, providing an opportunity for public engagement and discussion.
The Food Team Members:
HIROSAKI Moe, KUNITA Aoi, KUBOYA Himari, TOKISUE Reika, MI ShuZhen, NAKAI Yuuna, yoyo.
*yoyo, a cook originally from Tokyo and currently based in Niigata City, uses cooking to create a world where everyone can live a rich life regardless of their circumstances.
A plate of Miso balls, prepared for the ceremony. Photo: NISHINO Masanobu
Filming an instructional video for “Misoshiru Temae”. Photo: NISHINO Masanobu
The process of shaping rice balls used for the miso soup ceremony. Photo: NISHINO Masanobu
Youth members engaged in preparation of the miso soup ritual. Photo: NISHINO Masanobu
A snapshot of the Lead Investigator yoyo. serving a bowl of miso soup. Photo: NISHINO Masanobu
Youth participants during fieldwork, selecting ingredients for miso soup and exploring flavours that align with the theme. Photo: NISHINO Masanobu
Performing “Misoshiru Temae” during the Mindscapes Tokyo Week. Photo: NPO inVisible
An installation view created for the Mindscapes Tokyo Week. Photo: NISHINO Masanobu
June 2022–March 2023, Tokyo Garage
Due to various factors like lifestyle habits and daily stress, a person’s unique environment plays a crucial role in ensuring they feel a sense of ease and the ability to sleep. With this in mind, lead investigator HAYASHI Takatsune (architect/carpenter) with a team of eight young people assembled for the Urban Investigation Project embarked on a series of experimental investigations and fieldwork to explore the concept of the “ultimate sleeping place.” Their endeavors involved mindful walks through the streets of Tokyo, engaging dialogues, and visits to a long-established bedding store and a disaster prevention center. The outcomes of their research took various forms, including the publication of a book titled “Theory of the Ultimate Sleeping Place”, a virtual reality world tour crafted using individually hand-made maquettes, and the creation of a cradle-like ultimate sleeping bed that incorporates the ideas and research findings of all participants.
The Urban Investigation Project was a co-creative and experimental art initiative that explored mental health in urban areas, specifically in Tokyo. Placing emphasis on the process itself, the project integrated understanding and insights into each endeavor, fostering continuous learning and meaningful communication. Through the creation of “artwork proposals”, the project offered innovative solutions, thought-provoking tools, and actionable perspectives, serving as a catalyst for unique approaches and dialogue on urban mental health. Selected findings and outcomes were showcased in an open studio format during MINDSCAPES TOKYO WEEK in February 2023, providing an opportunity for public engagement and discussion.
The Japanese Architecture Team Members:
HAYASHI Takatsune, ITO Misaki, LEE Yubin, KAMISATO Mahiro, KIYOTA Yui, KUDO Eika, SHIBATA Sora, YOKOMI Kenichi, Rain
HAYASHI Takatsune, an architect and carpenter, with over 20 years of experience, preserves Japanese wooden architecture and engages in community development, workshops, and art and digital architecture projects nationwide.
Meeting with the members at Tokyo Garage for the first time. Sharing what each of us needs for a good night’s sleep. Photo: NISHINO Masanobu
Two-day fieldwork including visiting the architectural model exhibition. Photo: NISHINO Masanobu
A sleeping arrangement made out of cardboard for use in evacuation shelters, visiting at the Tokyo Rinkai Disaster Prevention Park. Photo: NPO inVisible
One of the maquettes created by a young investigator, inspired by the memories of her grandmother’s nature-surrounded house. Photo: NISHINO Masanobu
The investigators assembling the artwork “Ultimate Sleeping Place” crafted using traditional timber framing techniques. Photo: NPO inVisible
The publication titled “Theory of the Ultimate Sleeping Place”, a compilation of individual perspectives on the theme. Photo: NISHINO Masanobu
Youth developed a VR tour explaining how to navigate the experience. Photo: NISHINO Masanobu
“The Ultimate Sleeping Place Map” specially designed to accompany the VR tour. Photo: NISHINO Masanobu
Relaxing on the ultimate sleeping place crafted with traditional Japanese architectural woodworking techniques known as Kigumi. Photo: NPO inVisible
A detailed shot of Kigumi bed. Photo: NISHINO Masanobu
An installation view of the open studio area for the Japanese Architecture team at the Mindscapes Tokyo Week.
Photo: NISHINO Masanobu
inVisible collaborated with SHIONO KORYO KAISHA, LTD. and KITCHIBE CO., LTD. to organise workshops dedicated to the exploration and creation of the perfect scent for sleep environments. These workshops were an integral part of the Urban Investigation team’s efforts to delve into the concept of the ultimate “sleep place” from a Japanese architectural perspective. During the Mindscapes Tokyo Week, the culmination of the team’s year-long efforts, they set up an interactive survey booth. Visitors had the unique opportunity to actively engage in the selection process for the ultimate fragrance.
Sniffing and discerning various scents, narrowing down to the preferred ones. Photo: NISHINO Masanobu
While expressing the impression of the aroma in words, searching for scents, suitable for the ultimate sleeping environment. Photo: NPO inVisible
A first of a series of workshops led by Mr. TADA from the scent company. The workshop progresses as each person shares their impressions and thoughts. Photo: NISHINO Masanobu
An installation view of “Scent Type B” from a variety of scents after narrowing down to three options. Photo: NISHINO Masanobu
The sight of voting with stickers for the most sleep-inducing scent for oneself. Photo: NPO inVisible
Engaging and vibrant conversations sparked through the exhibit including a scent selection booth.
Photo: NISHINO Masanobu
A Film Team, assembled for the Urban Investigation Project, led by Senzo Ueno (cinematographer/filmmaker) alongside five youths, embarked on a project to explore the meaning of a “normal person”. Through in-depth investigation and conversations, they established a guiding principle for their work: to film interview footage with a sense of closeness, maintaining eye contact, and fostering empathy. Following this idea, young people filmed their significant others in intimate two-person settings, close enough to touch. Through the sincere gaze of these teenagers, a multitude of perspectives on “being normal” emerged, prompting profound questions and shedding new light on the societal constructs that influence our perception of what is considered “normal”.
The Urban Investigation Project was a co-creative and experimental art initiative that explored mental health in urban areas, specifically in Tokyo. Placing emphasis on the process itself, the project integrated understanding and insights into each endeavor, fostering continuous learning and meaningful communication. Through the creation of “artwork proposals”, the project offered innovative solutions, thought-provoking tools, and actionable perspectives, serving as a catalyst for unique approaches and dialogue on urban mental health. Selected findings and outcomes were showcased in an open studio format during MINDSCAPES TOKYO WEEK in February 2023, providing an opportunity for public engagement and discussion.
Film team:
ARAI Yuto, IWAI Rin, KOHAZAME Miku, ONISHI Mitsuki, TAMATANI Sora, UCHIYAMA Haruka, UENO Senzo
UENO Senzo, a cinematographer/filmmaker, creates films, advertisements, and music videos. He produces documentaries exploring nature, social issues, and presents installations at art festivals.
First meeting. Participants engaging in casual discussion and exchanging opinions about what is normal. Photo: NISHINO Masanobu
UENO Senzo, the Lead Investigator, giving a talk about the theme. Photo: NISHINO Masanobu
Starting off the day with an ice breaking exercise to take a closeup photo of each other. Photo: NISHINO Masanobu
Practicing photography skills by capturing each other with a professional camera. Photo: NISHINO Masanobu
Receiving guidance from the lead investigator as participants prepare for individual interview. Photo: NPO inVisible
An Installation view at the Mindscapes Tokyo Week. Photo: NISHINO Masanobu
This event was made possible with the generous support of Yurakucho Art Urbanism.
Youth committee members providing personalised tours during MTW, showcasing an installation view created by the Urban Investigation Project's food team, featuring their original “Misoshiru Temae” performance. Photo: NISHINO Masanobu
Watching an instructional video for “Misoshiru Temae”. Photo: NISHINO Masanobu
An installation view of one of the Urban Investigation Projects, executed by the Japanese Architecture team, exploring the concept of the ultimate sleeping place. Photo: NISHINO Masanobu
An installation view of one of the Urban Investigation Projects, executed by the Urban Investigation Project’s Film team, delving into the concept of “being normal”. Photo: NISHINO Masanobu
People enjoying conversations and socialising at the “Community Table” area during the introduction of Mindscapes Tokyo partners. Photo: NISHINO Masanobu
KIKUCHI Hiroko who oversaw Mindscapes Tokyo, acknowledging partners during the MTW Opening Ceremony. Photo: NISHINO Masanobu
A youth deep in contemplation at “Room Zattkan”. Photo: NISHINO Masanobu
YAU’s entrance area, formerly the office of Singapore Airlines, retains traces of its history. Photo: NISHINO Masanobu
Room Zattkan was an interactive project where visitors to the Mindscapes Tokyo Week took part in expressing their thoughts in response to the question: What is the first word or image that comes to your mind when you hear the words “Mental Health”? The term Zattkan (雑感) became a key element of Mindscapes Tokyo, representing a distinctive Japanese expression that fosters a culturally sensitive environment for open and uninhibited reflection. The collection of people’s Zattkan embraced diverse thoughts, feelings, and perceptions that coexisted without a clear structure or coherence. InVisible’s focus was to capture this wide range of personal and vulnerable responses related to the concept of mental health.
A close-up view, Room Zattkan. Photo: NISHINO Masanobu
A close-up view, Room Zattkan. Photo: NISHINO Masanobu
Room Zattkan sparked various conversations among the attending visitors. Photo: NISHINO Masanobu
A close-up view, Room Zattkan. Photo: NISHINO Masanobu
In cooperation with the Komine Institution, inVisible held a workshop focusing on the archive of a now-defunct mental hospital in Tokyo to indicate how the concept of mental health was historically and culturally constructed. After a short lecture about the archive, participants were encouraged to collaboratively work on the archival material to reconstruct the story of those who were diagnosed as “dementia praecox”, “psychosis” and other diagnoses used in the early 20th Century. The aim of this workshop was not to apply another contemporary disease name to those cases, but to imagine how those “patients” lived and experienced their lives.
Facilitators: SHIMIZU Fusako (Tokyo University), MIHARA Sayaka (Keio University), KANAGAWA Shingo (Photographer), HOGETSU Rie (Ochanomizu University), NOBORI Kukiko (JSPS).
This workshop was held within the framework of Mindscapes Tokyo Week.
Patient Condition Reports, circa 1930. Courtesy: the Komine Institution
Patient Condition Reports, circa 1930. Courtesy: the Komine Institution
Workshop: Archival Imagination. Photo: NOBORI Kukiko
Workshop: Archival Imagination. Photo: NOBORI Kukiko
Patient Condition Reports, 1935. Courtesy: the Komine Institution
with AOKI Akira
Saturday, 25 February 2023, YAU STUDIO
inVisible invited AOKI Akira, an independent curator, to give a lecture about “art and care” based on his research and own experiences. It covered a broad range of topics such as the Settlement movement, occupational therapy, phantom pain and artificial limbs, and an “urgent creativity”. Those topics were closely intertwined with each other. AOKI gave case studies to make it clear how they were related in terms of our “creativity”.
Situating art as a tool to live better lives, AOKI has been collaboratively developing various projects with artists, companies, local communities and governments.
This lecture was held within the framework of Mindscapes Tokyo Week in cooperation with Anthropology and Contemporaneous Art Study Group.
Lecture: Art and Care. Photo: NPO inVisible
Lecture: Art and Care. Photo: NPO inVisible
Artificial leg made by Aoki decorated with special fabric. Photo: AOKI Akira
Pigment with ashes painted on fabric. Photo: AOKI Akira
Exhibition, With people, Not For People, organised by Tokyo Metropolitan Government, Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture), Sumida River Sumi-Yume Art Project Executive Committee, Gate (General Incorporated Association). Photo: Hajime Kato
23 and 26 February 2023, YAU STUDIO
Y/U FES was a youth-led festival organised by the Mindscapes Tokyo Week (MTW) Youth Committee, comprising twelve young people from those who participated in the Urban Investigation Projects. Initially formed to support the operation of the MTW, the committee came up with the idea of holding a festival to express their ideas to engage young people and further address their mental health needs. The festival showcased a diverse array of programs, including “MTW Talkspace With Youth”, one-on-one consultations with youth, “Tsurezure Room” designed to empty one’s mind, and a “Memory Karuta” tournament with an original set of oversized traditional playing cards created from collective reflections of Mindscapes Tokyo, and many more.
MTW Youth Committee:
ITO Misaki, KARAKAWA Mayuko, KIYOTA Yui, KUBOYA Himari, KUNITA Aoi, LEE Yubin, MI ShuZhen, NAKAI Yuuna, NOMURA Yuna, Rain, SHIBATA Sora, TOKISUE Reika
The youth committee members gathered for a group photo to commemorate the event. Photo: NISHINO Masanobu
Decorating the counter for Y/U FES. Photo: NPO inVisible
Lively moments of excitement as people engaged in the “Memory Karuta” tournament. Photo: NISHINO Masanobu
Enabling the youth from remote locations to be part of MTW, the youth members developed the idea to manage visitor registration remotely through an online platform. Photo: NISHINO Masanobu
Anthea Longo from Wellcome helped translate the explanation of the Y/U FES programs in English. Photo: NISHINO Masanobu
The scene of daily retrospective meetings held to review the event operations. Photo: NISHINO Masanobu
KUNITA Aoi, the originator of the idea for “MTW Talkspace With Youth”, conducting a one-on-one consultation session with an adult participant. Photo: NPO inVisible
Hotch No Lodge is a clinic/day care centre offering internal medicine, pediatrics, palliative outpatient care and home visit medical/nursing care services, day care services for the elderly and children with special medical needs, and childcare services for sick children. As Hotch No Lodge has been interested in developing more effective Advance Care Planning (ACP), artist Christine Wong Yap prepared her workshops, with a clinic’s art coordinator Emiko Karakawa, that could resonate with ACP in the broad perspective. Five workshops were held during her residency at various places in the town such as cafes, an after-school activity class, and the clinic itself. Wong Yap prepared worksheets for participants to visualise their best possible life in ten years. Participants also enjoyed drawing spark joy cards filled with tips and ideas to make our everyday lives full of joy.
Workshop at the Terrace Sakuma, Karuizawa. Photo: NOBORI Kukiko
Workshop at Cafe Dacha, Karuizawa. Photo: NOBORI Kukiko
Workshop at Hotch No Lodge. Photo: NOBORI Kukiko
inVisible decided to create their own logo to symbolise the local activities reflecting the goals of Mindscapes. As a result, they worked with graphic designer TANAKA Seri. The kanji character “人” in Japanese is derived from the shape of a person viewed from the side while standing. The "M" in the logo of Mindscapes depicts two “people” leaning against each other. Mental health constantly changes and is shaped through connection between individuals. At the same time, this logo symbolises the idea that mental health is both difficult to maintain “standing alone” and requires us to support and lean on one another.
TANAKA Seri is a Tokyo-based graphic designer, working on branding, visual identity, advertising, and package design. She designed the logos for SENKIN, a sake brewery, and Ao-Hata Bookstore, as well as the poster design for an exhibition at the Mori Art Museum. She also published individual works.
The Logo design process. Photo: TANAKA Seri
Graphic Designer TANAKA joined to set up the signs for Mindscapes Tokyo Week. Photo: NPO inVisible
Customisable staff badges for the MTW with personalisation option. Photo: NISHINO Masanobu
Entrance area with posters displayed for the MTW. Photo: NISHINO Masanobu